The producers of the product say for insistence a music producer, will need to move beyond an "if you build, they will come" mentality like mentioned in chapter 5, and needs to send the material to where audiences will be able to find it. I really like to example giving in the chapter by Mike Arauz who says "People's lives revolve around life". When people become fans of a product and create a place for it in their lives that is when you know you have an excellent product that people will spread to their family and friends. A great example of spreadable media is the YouTube video we spoke about in my media class.

Producers may also enjoy spreadable media, because for them it means lower sunk costs of production. In chapter 5, Lotz says there is lower sunk cost particularly because audiences don't hold "the same high production-budget expectations that hobble established media". There are certain things a producer should consider if they want their content to be spread. Content is more likely to be shared if it is out there when and where the audiences want it as discussed previously, if it is portable, easily reusable, relevant to many audiences, and part of a steady stream of material. The term most often tossed around is "viral". When things go viral on the web it means your content is spreading to everyone, everywhere. The "viral" mentality is what leads to brands that will invest all of their energy in a particular media text that is expected to generate exponential hits on the web. I absolutely love creative and fun videos that can pull me from reality and give me a giggle. Those are the kind of videos that go viral. The videos that we laugh at, cry with or are in complete shock of what we just saw. These kind of videos are the ones we talk about with our peers and family members.
Humor is one something I can definitely agree with chapter 5 on. When you can create a product that can make everyone laugh that is when you have found the key to brand loyalty. Of course, for certain products you can use many different approaches such as; the feeling of safety for a car commercial. However, I have observed in my class with my peers and at home with my family that commercial that can make use laugh usually get a lot more credit in the "brand book" than those who don't. So if you want to spread some content think of what you personally would love to see in film, music, and commercials. Then when you are trying to distributing content you may be surprised that what you would love to see is also what others love to see. Make the connection with your audiences, and then you will see redaction and your spreadable work all over the web!
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